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Depraved activities

Favorite read of 2011

This past year I read some great books, but in terms of delivering page after page of reading pleasure, nothing quite measured up to Frank Sinatra in a Blender by Matthew McBride.

McBride’s debut novel was one of the funniest books I have read in a long time. I laughed hard. I laughed so hard, in fact, that I wept — tears rolling down my cheeks, my nose running. There’s also a pretty compelling story in there, centering around the wonderfully drawn Nick Valentine (think, Bad Santa meets Hunter S. Thompson) and his hilarious little dog, Frank Sinatra.

I won’t spoil anything here, but suffice it to say McBride pulls off the difficult trick making you care about some of the most amusing, disturbing and low-functioning people you could dream up, and he does it with grace, economy and flare. I couldn’t put it down.

Hat’s off to you, Mr. McBride.

‘REVOLTING’ — Publishers Weekly

I can’t tell you how thrilled I am to have a story in the new, critically acclaimed anthology, Crime Factory: The First Shift, featuring fresh fiction by Ken Bruen, Dennis Tafoya, Charlie Stella, Dave Zeltserman, Craig McDonald, Leigh Redhead, Aidrian McKinty, Scott Wolven, Jedidiah AyresKieran Shea and many more.

Hailed by the Library Journal as “a beast of noir,” The First Shift is edited by maestros Cameron Ashley, Keith Rawson and Jimmy Callaway, and I am honored to have my new piece, Microprimus Volatitus, included even if Publishers Weekly calls the story “revolting.”

Warning: As this story features a horny, volatile primate the size of a canary that competes with an equally horny and volatile man, there *is* some ear penetration and hair soiling, and a variety of other unsavory activities, including but not limited to various incidents of blunt trauma, nostril abuse, tequila binging and intraspecial revenge. …. So, this story is not for everyone.

Aw, man … Those guys have all the fun

Talking about Jed Ayres and his Noir at the Bar buddies.

This weekend Jed brought in yet another impressive group of transgressive-fiction writers for his ongoing Noir at the Bar series of readings in St. Louis (I think the name pretty much describes what happens). If the uncensored details on Facebook, Twitter and the blogosphere are any indication, the night was packed with the kind of storytelling that would make a parolee blush. Jed pretty much sums up the night up here.

Anyways, reading about these events makes this old man wish for younger days, when I didn’t have to think abnout the kids and The Suits and geriatric realities when considering a cross-country road trip.  So I am left thinking of Ayres, Bill, McBride, Phillips, O’Shea and the rest of that lot — with all their fun and games — and I mumble to myself, “Those guys have all the fun.”

Cuckoo for Crazy Larry?

Not too long ago my story, Crazy Larry Smells Bacon, had quite the day.

First, in the morning, I received the news that Crazy Larry, which originally appeared in the transgressive-fiction journal Plots with Guns, had been selected to appear in the anthology, By Hook or by Crook: The Best Crime and Mystery Stories of the Year: 2009 [Tyrus Books], edited by Ed Gorman and Martin Greenberg.

Then, that night, I learned that judges for the storySouth 2010 Million Writers Award had named Crazy Larry a “notable story” of the year (along with pieces by many others, most notably Kieran Shea, Kyle Minor and Mike MacLean), and that it’s still elligible for higher praise, however unlikely.

For all the love Larry is now receiving, I can thank PWG editor Anthony Neil Smith. Neil’s push-backs on the piece, and his suggestions for spry ol’ Larry, really made a difference. … I’m also glad to tell you that Larry has a solid role in the novel I have been writing; it’s a relief to see that Larry actually ineterests more people than just Neil and me.  

Not that there would’ve been anything wrong with that.

Creative MeMe — Lies and Truths

You can blame Shea for this one ….

Shea tagged me for something the kids are calling a “Creative MeMe — Lies and Truths.”

Idea is, you tell “six outrageous lies about yourself, and at least one outrageous truth – or – switch it around and tell six outrageous truths and one outrageous lie. Nominate some more ‘creative writers’ who might have fun coming up with outrageous lies of their own. (Check the end of this post.)”

Shea has some doozies. What a dude. Damn, I love interesting people.

Okay, mine: One outrageous lie, six outrageous truths …

1] A while back, an unusual sequence of circumstances had me hanging out with Travolta in a nearly empty “waiting area.” We’re chewing the fat for a while, and when he learns that I’m headed to the same place he is, he gives me this look like I’m a space alien, showing me that big smile and eye-twinkle, and says, “Who are you again? And what’s your deal?” … Wish I knew, John. Wish I knew.

2] The summer before college, as a U-Haul desk jockey, I seriously freaked out a customer (a complete stranger) by correctly telling the man that I had seen him one year earlier standing in line with two ladies at a water-slide park, in a city 30 miles away, and that he’d been wearing a blue Speedo and puka shells, and that the ladies had been wearing matching one-pieces. I even told him the date I saw him.  … You should’ve seen the way that guy looked at me. … One of my coworkers spent the rest of the summer convinced I was magic.

3] My dog Venus once appeared on ABC News.

4] On a college road trip to a Sierra town east of Chester, I lost a bet to a local. To settle up, I had to go out back of this bar and squeeze into a small cage containing — I kid you not — this bobcat he’d trapped, and I had to stay in there for 30 seconds. My friends laughed so hard, one of them peed his pants. … Me? I still have the claw marks streaking down my left calf and across the small of my back [all I did was curl up and cover my face].

5] Back in the ’90s, the lead singer of Hootie and Blowfish sang to my wife for the better part of a 90-minute performance at the Concord Pavilion, and for some reason I never really felt threatened. … Me? Oblivious dingbat? Maybe, but she was going home with me, bub. 

6] In college, I circled the United States for three weeks … on $450.

7] As a teen employee of Hickory Farms, I once walked through the mall with my baggy collar shirt tucked into my too-tight pants. That would have been fine, if only my fly had been zipped closed and an enormous portion of my shirt wasn’t protruding through it — unbeknownst to me, of course.

Okay, name the lie, and after ample time, I’ll come clean.

Meanwhile, to continue the madness, I have been asked to tag a “creative writer.” And I want sick, I want twisted, I want perversion. I want Phillips!

Greg’s Friends Doing Amazing Things — Kim Kenny

kimkennyWhen I hung out with Kim Kenny in high school, she was one of the funniest people around.

And one of the smartest.

All these years later, Kim is still funny and smart. Now she’s sharing those talents with the world — with the help of her “little” brother, Chris Kenny. The two write and star in their own Internet comedy series, “Siblings,”  which has yet to disappoint.

Every time I watch it, I smile ear-to-ear.

Here’s what I dig about “Siblings”: It’s a great example of people rising from their day jobs, their everyday obligations and routines, their own exhaustion, the noise of life, to create something  really cool. It may not pay the bills, or even pay for itself, but it’s creative — and it’s funny, and it’s connecting with people.

They created something cool, and it’s out “there.”

Get your hit of “Siblings” here.

Or check out my favorite episode so far, “By the Book,” below.

I do like your face

It’s funny how things turn out.

When I wrote Hotshot 52, which appears in the new crime anthology, UNCAGE ME [Bleak House Books], I wanted to try something different. I decided to focus not on my usual fare — you know, obese goofballs who upper deck into people’s toilets, or paroled Raiders fans who lounge in kiddie pools all day — but instead on the troubled mind of a Silicon Valley cubicle dweller, drilling in on the inner psychology of his need to transgress, examining the emotional makeup of  a man who hungers to do wrong.

I also kept going back to a certain conversation opener I always thought would be a  great way to start a story — “I don’t like your face.”

I was inspired.

I wrote Hotshot 52.

I sent the piece out.

It got rejected.

Then I read an interview featuring editor Jen Jordan, who was compiling a collection of crime shorts for a new anthology to be published by Bleak House. Looked her up and sent her the piece. Waited a real long time. Then maybe six months later, I learned Hotshot 52 had made it.

That felt great.

But here’s what fascinates me …

Some people like Hotshot 52, like it enough to put it in a book that’s sold in bookstores and on Amazon. Others, however, rejected it — didn’t want it for their ‘zines and journals.

All those reactions were true and fair. I have no beef with any of them. There never was a wrong way to react to the piece. What gets me is the diversity of reaction the story has illicited. What is one reader’s plum is another’s pus bomb.

Hotshot 52 is just one of 22 stories in UNCAGE ME. So far, each story I’ve read has captured me, compellled me, has taken me someplace I never expected. And I think that’s pretty frickin’ cool. As the legendary John Connolly writes in his introduction to the book, “There may be stories in this collection that you find difficult to like, or of which you may actively disapprove. There will be stories that may remind you of your own past acts, and stories dealing with acts that you believe you could never commit. Yet each of them touches upon the basic human urge to transgress, and in this you will find a certain sense of commonality, however uncomfortable it may be.”

UNCAGE ME  has been uncaged. It’s finally out there, and I’m thrilled to be included.

Now let’s go transgress.

UncageMe hardcover_BleakHouse

That tux and top hat ain’t gonna change anything

pullpusher

A while back, my wife and I were talking about our early relationship. More specifically, we were talking about those times, 17 years ago, when she’d try to dress me. At least the way I saw it back in 1992, she was trying to get me to wear fancy-boy jackets and shirts — outfits I thought were better suited for backyard-croquet dandies. Never mind the fact I was a serious slob who wore very old clothes that I kept in giant piles. I didn’t like being “controlled,” and at some point, there was a backlash.

So not too long ago, we laughed at it all. And I said the whole “Dress Greg” campaign was like trying to put a tux and top hat on a semi-feral cat. Point being, that tux and top hat ain’t gonna change anything about that cat.

Then I had an idea for a short story. I’ll leave it at that, but suffice it to say that my new short story, “Cool Breeze of Mercy,” is dedicated to all you guys out there who have struggled with deep-seeded fears that someone wants to change you.

I am proud to report that “Cool Breeze” was picked up by Pulp Pusher, the badass U.K. ‘zine run by the insanely gifted crime novelist Tony Black, author of the poweful new noir thriller GUTTED. The only bummer is that despite Black’s repeated best efforts, some limitations to a web-publishing system have left formatting of the story less than what we wanted. With that in mind, you can read the piece at The Pusher here, or if you’re having problems reading that text, you can try the properly formatted “reprint” here.

NOTE: If stories involving peyote, cat diarrhea, extremely hair men and pantsuited crazyladies wielding fire pokers aren’t your thing, you may wanna pass on “Cool Breeze of Mercy.”

 

Guest blogger Anthony Neil Smith ….

Today noir novelist Anthony Neil Smith brings his virtual biker rally to Chimichangas at Sunset as part of his epic blog tour for his soon-to-be-released fourth novel, the thoroughly engrossing Hogdoggin’. At each stop of his tour, Smith continues the story of a biker rally that keeps getting bigger …. and crazier…

Meanwhile, over at Smith’s blog, Crimedog One, you can learn more about Hogdoggin’ and read my guest blog post, in which the biker rally gets a little weirder (Neil’s tale below follows my entry, if you wanna read these in sequence). 

Be prepared to be offended, and disturbed in all venues, including Hogdoggin’.

In the Last Episode, we left Banks in Hell, where he belongs.

After signing Larry’s book in the basement, Steel God and Smith came upstairs and immediately began nailing two-by-fours across the door, hoping that might keep the bastard in for the rest of the rally.  Fat chance.

They pounded the last nail, slapped the dirt and sweat off their hands, and then turned to find a yuppie-type, like he fell off the screen during Office Space.  And he didn’t look so hot, a big gash in his shirt, bleeding.  In fact, he had a bit of the zombie look to him.  The wound looked more natural on him than the tie.

Grinned, said, “So you boys pounding some nails, eh?  Shit, you know what that’s all about, right?  That hidden subtext?  Hammering away.  Nailing it to the wall.  Dig it?”

Steel God punched him in the nose.  The skin split, but this guy didn’t even lift a hand to stop the blood flow.  He just dropped.

They shrugged and stepped over him.

The bar had taken on a creepier quality.  Moody music from some freakish types on the stage.  A stranger (albeit hotter) class of women.  Men who looked like they belonged performing on the streets of New Orleans. 

“What did you say these guys were called again?”

Smith said, “Skull Patrol.”

Steel God nodded.  “You know…if I’m not mistaken, that’s the club that belongs to, um…what did she say his name was?”

“Who said?”

“The chick who tried to castrate me, the one I bought the bike for.”

“I thought Anastasia put her in traction.”

“She did, but not before I had a good ride with her and all.  Anyway, she said some guy promised to pay her a couple hundred to either kill me or take my cock back to him as a prize.  I think it’s the guy who leads this crew.”

Smith took a gander out at the hypnotized, gender-challenged, middle-manager-type, hipster, bizzaro crowd.  “I don’t know his name, but I heard one of them call him El Muerto Avocado.”

 “Wait…The Dead Avocado?”

“Either that, or Hot Guac.  It’s hard to hear in this joint.”

Smith stepped behind the bar for a moment and emerged with a double-barreled shotgun, which he fired into the ceiling without warning.

Everyone shut up and covered their ears, crouched.  Steel God could barely hear above the ringing. 

Smith took advantage of the quiet to shout, “One of you fuckers take me to Hot Guac or I start shooting you douchebags!”

They got a volunteer.

Outside, they followed this guy who must’ve been mute.  He kept looking over his shoulder and waving his hand like Folllow me, yeeesss.  Come now from some old horror flick.  Smith kept the gun on him, but all three of them knew he wasn’t going to fire it again.  Steel God told Smith he didn’t even have revenge on his mind so much.

“Instead, I’m just so damned curious.  I don’t think I even know this guy.”

“Maybe you accidentally killed his brother or something.  You know, a blood feud.”

They arrived at one of the town’s two travel motels–the shittier one, actually.  At the other, people actually lived there long term and took care of the place.  But not at the Double-D-Luxury Motor Hotel.  It hadn’t been luxurious since 1981.  And apparently, no one had cleaned up the vomit from the sidewalks since the mid-nineties.

Mute Man waved them towards room 107 and stepped out of the way.

Smith went to knock when Steel God braced him, whispered, “What if it’s a trap?  You knock, he blows your head off.”

Before Smith could answer, the door swung open, and the dude standing there said, “I wouldn’t do that.  Come on in.  Grab a beer.”

He turned and walked back into the room.  He was definitely one of those laid-back Californians, loose jeans and a shabby T-shirt, no shoes. 

Smith and Steel God followed, not sure if they should.  Soon as they were in, Mute Man reached for the door handle and slammed it closed.  Made everything feel itchy. 

Hot Guac, if that’s who this was, had already settled on the floor, bottle of Pacifico in his hand.  “Beer.  Or this new batch of guac I just made.  Don’t tell anybody, but I think the secret is to use lemon instead of lime.  And the organic red onions.”

Smith looked around the room.  He stepped over to the bowl of guac and picked up a chip, scooped some up.  Shrugged.  “Not bad.”

Hot Guac laughed.  “Dude.”

Steel God was noticing something else.  On all the walls, there were mounted things.  All on nice high school spelling bee award wood, metal plates at the bottom with names like “Shifty” and “Dr. Heartbreak” and “Indian Burn”.  Was it some sort of animal?  Hard to tell.  Shriveled, dried out.  Was he mounted slugs?  Snakes?  Worms?

Then God got it.  “Shit, these are cocks.”

Smith had never seen the big man so stunned.  He looked at the wall, then at Hot Guac, the wall again, down at his crotch, the wall again.

“You fucking collect biker cocks?”

He shrugged.  “Let me tell you a story.  It might better explain something about myself.  You see *gack*–”

Cut off because Steel God had grabbed him by the throat and dragged him up the wall.  “Make it quick.”

Hot Guac, turning purple in the face, wheezed out, “A biker killed my brother.”

Smith said, “Yeah, I called that one.”

God asked, “Why me?  Why was I next?”

“Be.  Cause.”  Sucked in a mighty breath  “Your rally.  I.  Fish.  Big.”

Steel God smiled, kept his grip on.  “You know, if you’d given me some sort of sob story, something I’d done to you, I was prepared to be merciful.  But I can’t be seen supporting this sort of hobby.  You understand, right?”

Hot Guac nodded.  Or maybe he was just passing out.

Steel God turned back to Smith and said, “You go on back.  I’ll handle it from here.”

“You sure?  I can help.”

“No, I mean it.  This is for my eyes only.  Like that Bond movie, dig?  Only for me.  I’ll see what no one else will see.  Me and this fucker here.”

Smith tried to think of something to say.

“I said GO!  Now!

Smith beelined for the door.

Right before he stepped out into the night air–hot wind kicking up dust–Steel God said, “And when I see you tomorrow for breakfast, you do not ask about this.  You blank it from your mind.  What’s about to happen officially never happened.  You feel me?”

Smith cleared his throat, figured that was answer enough, and got the hell out of there.  As he cleared the motel’s property line, he heard Hot Guac make a noise only his mother should ever be allowed to hear, and only after she’d died.

*

I first learned of this Greg Bardsley fellow when he submitted the story “Upper Deck” to my re-boot of Plots with Guns.  It only took the first page to convince me I’d found my first acceptance.  And it only got wilder and better. 

I’d been looking for stories that put into practice what had only been theory in my head–contemporary noir with a transgressive edge.  Stories that got to me at a gut level.  Stories that I would find impossible to shake from my memory.

“Upper Deck” did just that.  It made me laugh, made me flinch, and grossed me out (that last one isn’t a necessity, but if done right, well, congrats). Check this:

He tells you about upper-decking, and he tells you how he’s gonna use Harvey as a decoy. He tells you how they’re gonna come over to Ernie’s for the season finale of “Scott Baio Is 45 and Single,” and right in the middle of it all, Calhoun’s gonna excuse himself and saunter off to Ernie’s hall bathroom. He explains how he’s been preparing for two weeks, how he’s been getting into “the rhythm of nightly deuces,” how he’s gonna chow down lots of carnitas and beans for two days before and show up at Ernie’s at 7:45 with a giant mug of creamy coffee. How Harvey is gonna distract Ernie in the TV room while Calhoun’s in the can, gently removing the lid to the upper water basin of Ernie’s toilet, pulling his sweats down and slowly navigating onto the toilet until his ass is practically falling into the exposed water basin, his feet planted firmly on the toilet-seat lid, his hands reaching to the sink counter and window frame for stabilization, and then (the exaltation) releases “a monster” into Ernie’s upper deck, where it will either wreak immediate havoc on the flushing system or simply reside unnoticed for months on end.

See what I mean?  How can this possibly go wrong?  You want to know, right?

Move on through his other work, like “Funny Face”, “She Don’t Like Hecklers”, and “Some Kind of Rugged Genius” (on the fabled 3AM Magazine site), you’ll come to “Headquarters Likes Your Style” from Out of the Gutter, which I found to be another high point in a mountain range full of high points.  A cubicle jockey finds a way to get back at management by insinuating to his office neighbor that the supervisor is making moves on him.  And damned if the guy doesn’t buy into it.  Really stellar stuff.  Many times, he takes mundane office drones with active imaginations and gives them that one extra little push they need to send it over the edge, and by then it’s too late to reel themselves back in.  Consequences abound, and the horrific black comedy that ensues will burn into your brain like a branding iron.

That’s why Bardsley’s work will be around a long time.  He forces you to remember. 

My prediction, as soon as the novels start rolling out: Bardsley will be as big as Palahniuk.  But the critics will like him a lot more.

So, if the wild-man who is Bardsley tells you Hogdoggin’ is good, then you have no goddamned excuse not to pick this thing up and make it your next round of bathroom reading.  And if you don’t mind, get it on June 1st (HOGDOGGIN’ MONDAY) online, at your nearest local bookstore, or at any of the indie bookstores I’ve marked as my territory along the route (places and dates at Crimedog One).

*

Next, from out there in the morning fog, Patricia Abbott is watching you…

Tonight on the Main Stage: Primus, “Those Damned Blue Collar Tweakers”

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